Hitch and his public / Jean Douchet
Hitchcock's imagery and art / Maurice Yacowar
Retrospective / Robin Wood
Hitch as matrix figure: Hitchcock and twentieth century cinema / John Orr
Hitchcock's The lodger / Lesley W. Brill
Criticism and/as history: rereading Blackmail / Leland Poague
Alfred Hitchcock's Murder!: theater, authorship, and the presence of the camera / William Rothman
Consolidation of a classical style: The man who knew too much / Elizabeth Weis
Through a woman's eyes: sexuality and memory in The 39 steps / Charles L.P. Silet
Rematerializing the vanishing "lady": feminism, Hitchcock, and interpretation / Patrice Petro
All in the family: Alfred Hitchcock's Shadow of a doubt / James McLaughlin
The moral universe of Hitchcock's Spellbound / Thomas Hyde
Notorious: perversion par excellence / Richard Abel
Strangers on a train / Robin Wood
Hitchcock's Rear window: reflexivity and the critique of voyeurism / Robert Stam and Roberta Pearson
Finding the right man in The wrong man / Marshall Deutelbaum
Male desire, male anxiety: the essential Hitchcock / Robin Wood
A closer look at scopophilia: Mulvey, Hitchcock and Vertigo / Marian Keane
North by northwest / Stanley Cavell
"Oh, I see": The birds and the culmination of Hitchcock's romantic vision / John P. McCombe
Mark's Marnie / Michael Piso
The queer voice in Marnie / Lucretia Knapp
Rituals of defilement: Frenzy / Tania Modleski
Psychosis, neurosis, perversion / Raymond Bellour
Psycho's allegory of seeing / Christopher D. Morris
On being Norman: performance and inner life in Hitchcock's Psycho / Deborah Thomas.
