Introduction. The emergence of a reductionist school of abstract art in New York
The Beginning of a Scientific Approach to Art
The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art
The Biology of Learning and Memory: Top-Down Processing in Art
A Reductionist Approach to Art. Reductionism in the Emergence of Abstract Art
Mondrian and the Radical Reduction of the Figurative Image
The New York School of Painters
How the Brain Processes and Perceives Abstract Images
From Figuration to Color Abstraction
A Reductionist Influence on Figuration
The Emerging Dialogue Between Abstract Art and Science. Why Is Reductionism Successful in Art?
A Return to the Two Cultures.
