TOMORROW, TOMORROW, TOMORROW starts where most films about homeless kids end, the day after they are taken in, we assume it's a happy ending - but what really happens next? While on assignment filming orphaned street kids in Mongolia, NYC-based cinematographer Martina Radwan feels drawn to help three of the kids escape their dead-end situations. Naive, idealistic and thoroughly unprepared she dives in to fix things - is this is a Westerner's savior...